About Here?s another gem from the book Art Deco Initials, which gave me a small handful of characters from which to divine the entire font. As I was constructing the font in outline form, I noticed how nicely it lent itself to an inline treatment, and decided to keep the structural elements. Later, I also noticed how well the lowercase-only font Bayer Architype went with these caps, so I adapted them to complete the character set.
The commercial font is “new and improved” over the freeware version, with expanded character set and improved kerning, so you get what you pay (or don’t pay) for.
