About Here?s a strange hybrid: I took the lower case from the formal script font Stuyvesant, straightened out its rather extreme 22 slant, and combined them with caps from the font Bellevue, again making them upright, and adding an inline effect. The result is a font that flows very nicely, with a nice balance between clean lowercase characters and swashy caps. Thanks to Deb Dunbar for naming this font.
The commercial font is “new and improved” over the freeware version, with expanded character set and improved kerning, so you get what you pay (or don’t pay) for.
